The Movie
Raiders of the Lost Ark is my all time favourite celluloid experience, bar none. There’s no other movie like it. Any collaboration between George Lucas and Steven Spielberg had a high chance of providing something special, and although none of the sequels lived up to the magic of this first crack of the whip, Raiders was a shining nugget of movie gold. There are certainly other movies that have connected with me more on an emotional or intellectual level, but no film quite gives me the pure chills, the goosebumps, that I get from Raiders of the Lost Ark. No other movie so effortlessly reminds me why I love cinema quite like this one. And no scene is a better example of why than the opening scene.
The Scene
South America, 1936. Indiana Jones (Harrison Ford) and his companion Satipo (Alfred Molina) have located a remote, hidden temple. We’ve already had a taste of what kind of character this guy in the hat is after he’s seen off an armed traitor in his group, using just a bullwhip. Classy.
The two men enter the temple…
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Why I Love It
The Idea
What an opening scene for a movie. What a way for a character to introduce himself. What a piece of pure, unpretentious, fluid cinema. There are few directors so adept at making the ridiculous seem plausible like Steven Spielberg, which is what made him the perfect choice to make Raiders of the Lost Ark. The idea was to bring back the old Saturday morning adventure serials, with their cliff-hanger endings and preposterous scrapes. In this, they succeeded and then some. The opening scene immediately drops us into Indiana’s life at its most exciting, almost as if we have just caught the end of last week’s episode.
The Icky Factor
Spielberg understands that as well as ‘oohs’ and ‘ahhs’, audiences also enjoy the odd ‘yuk!’ The Indiana Jones movies are crawling (literally) with moments such as these. Having already given us an army of tarantulas, we are then treated to the nasty fate of Dr Jones’ predecessor, Forrestal. He even makes squelchy noises as his decomposing head turns Indiana’s way. Yes!
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Walking the Traps
A bunch of faces which shoot poison darts? No problem. Just don’t tread on the darker, diamond shaped stones. This should seem like a breeze when you think about it, but thanks to Spielberg’s slow tracking shot along the wall of faces, and John William’s steadily building score, it seems more like the worst ever drink driving test.
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The Intimate Zoom
Having reached the Golden Idol, Indy stops for a moment. With Williams’ music reaching a crescendo, Spielberg takes time for a slow zoom onto the Archaeologist and his prize. For Indiana Jones at that moment, there is nothing in the world but he and the Idol. It’s the perfect little moment of character illustration. Then, we pull out again and it’s back to business. Gives me a shiver every time.
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Ford Falls Over
The boulder rolling down toward Jones has long since become an iconic image, but what I love about this part is the fact that, having done 10 takes of Harrison Ford outrunning the huge fibreglass ball, Spielberg kept the one take where Ford fell over. It gives the scene a little sprinkle of authenticity, and I’m sure the panic on Ford’s face is genuine.
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Trivia
There is a continuity error at the beginning of the scene. As Indiana Jones and Satipo enter the temple, they pass through a huge cobweb. When Jones leans downwards to walk through the web, there are spiders clearly visible on his back. Cut to a shot from behind the pair, and we can see that Indy’s back is now clear. Then Satipo notices spiders on Indy’s back! Magic South American disappearing tarantulas or Continuity Editor’s day off?
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It doesn’t matter, of course. One small continuity error can’t stop this being my favourite scene from my favourite movie. Long may it give me goosebumps and bring a cheesy smile to my face!
August 13, 2010 at 3:00 am
I love this movie so much. My only complaint is it didn’t bring back the Saturday morning adventure serials. This movie was everyone at their best, writer, director, actors, designers–well, I guess the spiders fell down on the job. But then, nothing is perfect.
August 13, 2010 at 3:43 pm
Those tarantulas have an excellent Union, and they were on a strictly adhered to lunch break when one shot was taken. 😉
August 13, 2010 at 10:35 am
Wonderful look at a great sequence in a great film. The first Indiana Jones is a timeless adventure and one of Spielberg’s (and Lucas’s) finest achievements.
August 13, 2010 at 3:45 pm
Thanks, Dan. Your Classic Scene series really got me thinking. Thanks for the inspiration. 🙂
August 13, 2010 at 4:41 pm
Awesome scene from one of my very favorite movie of all-time, it really opens up the movie with a bang and then never lets go. Insightful and enjoyable post Richard!
PS: Your fantasy draft pick is around the corner. Be ready!
August 13, 2010 at 5:04 pm
Thanks for reading, Castor. And don’t worry, I’m ready with my director pick. Assuming he’s still free by my turn. 🙂
August 23, 2010 at 3:19 pm
Great film and great scene. I totally agree with you about the bit where Spielberg keeps in Ford stumbling as he frantically tries to outrun the hugh boulder. It is these little touches that humanize Indy and make you root for him that much more.
August 23, 2010 at 4:23 pm
Absolutely. It’s one of those little moments that Spielberg has always understood.
Thanks for stopping by, J.D.
August 24, 2010 at 2:58 am
Are you familiar with “Raiders of the Lost Ark: The Adaptation”? I think you’d find it really interesting and amusing. The guys, Chris Strompolos and Eric Zala, screened their film at the arts organization where I work – nicest guys on the planet. Check out their Facebook page: Rolling Boulder Films.
August 24, 2010 at 4:53 am
I’ll definitely check that out. Thanks for the tip, Amiable.